Design is the marriage of message and motif. It is the intersection of identity and icon. In crafting a logo or a slogan or a character, the end symbol is the summation of both the shape and the story.
That’s why the images of the Olympic Games have reached such exalted status. The five rings are a beacon of continental unity. The posters and medals and mascots have linked arms through the years to provide an intriguing portrait of episodic design trends and nationalistic pride.
The Olympic torch is an often-overlooked aspect of sports history. Many viewers might remember the televised cauldron lightings, but few can recall the specifics of each particular torch style. This is a shame, because the Rio 2016 cresset is a testament to careful design and deeply embedded meaning.
For a look back at past Olympic torches, this wiki outlines a complete list of manufacturers and designers. For a visual gallery, the Olympic site includes icons going back to the 1936 Berlin Games.
The torch relay, in particular, inaugurates the Games as the flame travels from its Greek origins to then crisscross Brazil in an escalating parade of famous athletes and historic sites. Mapping this journey through graphics and animations offers valuable chances to learn about geography and culture.
For better or worse, current events also feature prominently in the torch's travelogue (much like the 2014 Sochi controversies). At various stops, the Rio carriers have so far been attacked with a fire extinguisher, beset by an unruly jaguar, and accused of carrying a "cursed" flame.
In essence, the torch relay is a fitting cavalcade to the heroic spirit of the competition. It builds anticipation for the contests to come, and it shines a spotlight on the country's locales and heritage. It also welcomes the world into a terrain that may be unfamiliar. This widening of the learning lens is crucial in pushing students to look outside themselves. Sydney's 2000 triumph and Beijing's 2008 spectacle both prove the worth of these quadrennial jamborees.
For more ideas about exploring the Olympics or using the Games in education, check out:
It's rare that a single flower becomes a viral, stakeout sensation. We admit that we've been fixated. While YouTube eyes are currently obsessed with a grotesque and freakish bloom, educators may be missing an opportunity.
Yesterday the New York Botanical Garden (NYBG) announced that after a decade of cultivation, the Amorphophallus titanum finally began to bloom. Commonly known as the "corpse flower," this plant from Sumatra in Indonesia exudes the smell of rotting meat as it opens. The putrid odor and the otherworldly shape are keys to its appeal, as its startling height. The flower has notched the Guinness World Record for the tallest bloom in cultivation at over 10 feet (and even larger in its natural habitat).
The New York Botanical Garden first hosted a successful bloom of the corpse flower in 1937. A second emerged in in 1939, but generations have past to witness the third revelation of this dreamy, rancid blossom. Visitors have been lining up, and online watchers have been glued to the YouTube livestream, mostly because the scare appearance lasts for only 24 - 36 hours.
Why is this floral oddity relevant for teachers and students? On a basic level, this quirky natural artifact offers countless avenues for science learners to explore biology, botany, morphology, behavior, pollination, inflorescence, germination, dormancy, regionality, and cultivation. For example, the bloom is not actually one large flower. Instead it comprises a leaf-like ring of outbursts surrounding a central column.
On a higher level, the fascination with this shy and fetid flower speaks to every teacher's desire (and angst): how can we make make learning relevant? How can we pinpoint the moving target of our contemporary kids' attention spans? If they are attracted by a weird plant, what can we learn from this momentary buzz to inform our curricula?
Is it too much to ask that a daily lesson is unexpected? Is it pandering to give students something to anticipate, to look forward to? The allure of the NYBG "Corpse Flower Cam" lies in the waiting. It rests in the charisma of the macabre. Why does a flower smell so bad? What is the evolutionary attraction for carrion creatures that will come and spread the pollen?
In other words, all classes should unfold like a mystery. Children ought to be rapt in the one-in-a-million stories: the collapse of the Spanish armada, the elegance of Euler's identity, the chance of penicillin's discovery, or the lightning of a boy's forehead.
For locals, the occasion to visit a monstrous plant that reeks of spoiled flesh is priceless. Would that all of our classes were as exhilarating. For the rest of us, this is a neat moment that we should remember in September, to excite STEM learners and to wake up the drowsy kids who don't think our "Do Now" exercise lives up to their Snapchat feed.
On August 25, 2016, the National Park Service (NPS) turns 100. After a century of shepherding America's splendor, the Park Service and its personnel will rightfully be feted as dedicated, humble stewards of our country's most precious landscapes.
Personally, we have been lucky enough to visit many of the nation's 59 parks on all points of the compass. Each site has never failed to live up to its consecration as a place of American rarity, pride, and beauty. From the unspoiled trails to the popular overlooks, every curated destination within the wilderness is a testament to the work and vision of the Parks Service.
This august anniversary introduces many opportunities to weave the Parks into authentic classroom lessons. For example, the "Every Kid In A Park" initiative seeks to connect our nation's youth to its most treasured spaces. Additionally, a wide range of visualizations now provide easy ways to incorporate the centennial into state standards and skill-based curricula. At their least, these videos and graphics offer terrific kick-offs to a morning's discussion. At their best, these charts and illustrations support critical student proficiencies. They also bring to life the gorgeous panoply of natural wonder that would make any Disney confection blush.
To start, the "Find Your Park" website gathers videos and social media interactions of everyday first-person testimonials about the grandeur of America's vistas. As a companion, the NPS has opened its Geographic Information Systems (GIS) data to the public, for educators and graphic artists to tap in building models of terrains and visitations.
Some of the best renderings of the National Parks come from the Works Project Administration during the 1930s New Deal. These art deco posters from the Federal Arts Project capture the majesty of the otherworldly settings in colorful and appealing travel enticements. National Geographic has assembled a nice collection of these posters from the Library Of Congress.
In a video homage, the outdoor outfitter O.A.R.S. has put together a stunning tribute to the Parks, told through the stirring words of Theodore Roosevelt. As befitting its founder, the NPS takes seriously its safeguarding of America's geology. It invites students of energy, minerals, and paleontology to explore the singular contours and cliffs through open online access and badging of restoration and geoscience. These resources are terrific for earth science and environmentally minded teachers to investigate with their students.
In math and statistics, the minds at FiveThirtyEight (who usually spend their time worrying about political polls and baseball ERAs) have analyzed the popularity of each park. They crafted crisp graphs and charts for STEM educators to draw from in ranking the visitors to each venerated location. As they note, "the U.S. national parks have never been so popular," and the Great Smoky Mountains continues its reign as the most-visited National Park, due to its location and exquisiteness.
In probing the specifics beneath the Great Smoky Mountains' charm, researcher John Farrell raked the Instagram API to determine where in the Park photographs were most frequently snapped. His visualization layers social media atop traditional coordinate geography to present a new picture of the Park's usage. He includes similar map mash-ups for other coast-to-coast sites.
For its part, the NPS has put together its own retro advertisement, in the classic style of antique movie reels or 1950s television ads. This wry film is a perfect nod to the 100-year heritage of the organization. It also displays a warm embrace of every citizen who passes through the Parks' gates.
In order to help navigate the Parks, the Sierra Club has designed a System Map based on the urban subway template. This seemingly humorous rendering actually gives travelers a valuable guide in planning their vacations and in connecting the dots between regional marvels.
Finally, the purest representations of America's National Parks have always come from the minds of the country's painters. Beginning with the light portraits of Thomas Moran, many artists have sought to capture the glory of glaciers and geysers. Most recently, David Hockney scratched a series of brilliant sweeps on his iPad in his "Yosemite Suite." These personal, stylized views prove to any viewer that the nation's Parks are love letters to its wilderness. They are the last vestige against urbanity and a hallmark of global distinction.
Our students are avid consumers of politics and history. They always ask, though, how the Democratic donkey and the Republican elephant became the icons of the respective parties. Both animals, however strong and noble, seem somewhat incongruous to the preferred imagery of political ambition.
Political cartoonists throughout the ages have captured these two creatures in brilliant colors and tart commentaries. Skilled artists have swayed society's opinions through targeted visual satires. For their part, educators have consistently embraced these editorial cartoons as terrific tools in teaching primary sources, points of view, pictorial language, and symbolic metaphors.
The curators at Politico, one of the sharpest websites for up-to-the-minute political news, have gathered together a stunning gallery of historical cartoons in honor of the Republican and Democratic conventions. They trace the legacy of the donkey — from Andrew Jackson's anti-elitism, to Woodrow Wilson's internecine war, to Hillary Clinton's divided constituency. They map the evolution of the elephant — from Thomas Nast's first salvo, to William McKinley's bandwagon, to Donald Trump's hair on fire.
Both compendiums of cartoons provide excellent resources for teachers in history, government, civics, social studies, English, and language arts classes. The collections include many seldom-seen images. They also offer terrific examples of illustrations to practice the skills of graphicacy and to follow the four critical steps in analyzing an image.
Both STEM and sports get a bad rap. In the corridors of learning, science is sometimes seen as esoteric or irrelevant, while sports are seen as base or quotidian. Kids are often repelled by the former and drawn by the latter, mostly due to a misunderstanding about the intersection between math and athletics, between technology and physicality.
Fortunately, the possibilities of animations and motion graphics have helped visualize sports in riveting, educational ways. On both the professional and personal levels, data-driven graphics can bring to life the genuine learning benefits of athletics in STEM (Science, Technology, Engineering, and Math) courses.
In digitally nuanced videos, physics meets the real-world. Body kinesthesia moves from the static textbook page to vibrant video overlay. The visualizations can layer equations and statistics atop everyday pastimes. Sports heroes become humanized in analyzing the biology and chemistry that make them great. Familiar backyard games become elevated by realizing the arcs and velocities necessary to score a goal.
Furthermore, these stunning artistic creations validate the requisite addition of the "A" to STEM. A complete "STEAM" approach, including the Arts, proves the value of imagination, design, and narration in producing such compelling animations.
The following motion graphics and animations take the discussion even further, looking for fresh avenues to incorporate the personal interests of students into their science and math educations. These videos are great kick-offs to a morning's discussion, and they are valuable context-builders for putting formulas, trajectories, and graphs in their rightful, real-world contexts.
Educators have always sought to add visual interest to their lessons, to support learning modalities and to provide illustrative examples of the topics under consideration. From postcards to prints, from filmstrips to YouTube, the power of pictures and movies to aid learning is undeniable. Now, various digital tools and editing applications are enlivening "flat" images in thrilling fashion. The animation of historical photos is bringing primary sources to life in ways unimagined by teachers and students a decade ago.
Often called 2.5D, or "the Parallax Effect," the rendering of motion within a still photograph allows the eye to traverse the image in a more fully realized manner. The forced examination of details, as foregrounds and backgrounds snap into focus, invites viewers to explore the entire depth of field. In adding movement to static characters, the past becomes relevant as observers imagine the seconds preceding and succeeding the camera's shutter. A crescendo of action added to a familiar scene places the spectator within the historical moment. Each detail now becomes tangible and palpable. Each setting contains nuance and fluidity.
Even more interesting for educators to consider are the ways these adaptations of primary sources reinforce the critical questions about dealing with pictorial artifacts: What role does the photographer or editor play in staging a photo? What is intentionally included, removed, or modified within a scene? Is any artificial capture of a moment truly "real," and how much scholarly skepticism should students lend to every research source?
Adobe Photoshop, After Effects, and Audition are some of the most common tools to render photographs and paintings from 2D to 3D. The History Channel (and several truck commercials) use these effects regularly in their productions. Some excellent tutorials exist (where else?) on YouTube to practice creating these styles of videos (here and here).
At their most advanced, these animations ask us to reconsider the historical and the artistic record as changeless constants. At their most basic, however, these videos are just neat. They are inviting and clever. They lure in students and others to enjoy the study of history even more.
For other ideas about creating animations, check out:
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